NF – Therapy Session

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Released: April 22, 2016

Appearances are a strange part of being a music fan. Sometimes it feels more important to like music that has been accepted by cultural tastemakers than to vulnerably and proudly wear our own tastes.

Upon listening to Therapy Session, I immediately recognize that NF is the kind of musician that tastemakers love to ridicule. He’s Christian and he doesn’t curse, two strikes against him in a culture that still considers “fuck” to be a proclamation of revolutionary independence.

Therapy Session is a good album. NF tells compelling stories, his rhymes are creative, his arrangements and song structures are dynamic and dark. It’s a little overwrought and it doesn’t break new ground, but that can be said of most therapy sessions.

If you only listen to music that is praised by cultural tastemakers, don’t bother with Therapy Session. If you want a solid, emotional, hip-hop album that is rooted in hard rock sensibilities and that searches for meaning in life’s struggles, give this a listen.

About Chuck

After spending 10 years working as a professional bassist, Chuck realized he loves listening to music much more than playing it. Eleven albums or events that dramatically influenced his relationship with music and life, in the order he encountered them: Fleetwood Mac, Rumours; Van Halen, Fair Warning; Foreigner, 4 tour, 2/9/1982; John Coltrane, Crescent; De La Soul, Three Feet High and Rising; Puccini, La Boheme (Beecham, de los Angeles); Everything But The Girl, Walking Wounded; Carl Cox, live at Twilo, 2000; Godspeed You! Black Emperor, Yanqui UXO; Grateful Dead, Ladies and Gentlemen, the Grateful Dead (Fillmore East, NYC, 1971); Taylor Swift, 1989.

0 thoughts on “NF – Therapy Session

  1. bobvinyl

    It is interesting how something like not cursing has become counter-cultural. A few slip ups aside, I have not cursed since my dad died. In the eulogy I did for my dad, I talked about it being counter-cultural.

    This also makes me think of a Rush documentary I watched a number of years ago. They were dismissed by the critics of their day, but resonated with a lot of people who went on to make music. I remember it being a shockingly diverse group of artists who spoke about Rush’s influence on their own work in the documentary.

  2. Chuck Post author

    Counter-cultural is the perfect phrase. It’s difficult to think of a group like Rush as counter-cultural, but they actually are, far more than any punk band from the past 30 years ever could be.

    This came to the forefront for me during the Super Bowl halftime show where M.I.A. gave the finger to the camera. I was disgusted by America’s reaction but I was even more disgusted by her: it was a pedestrian and unimaginative move by an artist who has been widely praised for her independence and creativity. However, to the point of tastemakers, I’ve always thought M.I.A.’s innovative spirit has been exaggerated, and that halftime show certainly supported my perspective.

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