Joris Voorn – Global Underground #43: Rotterdam (The Exclusive Originals)

Album cover for Joris Vroon "Global Underground 43 The Exclusive Originals"

When I heard that Joris Voorn mixed a new Global Underground set, I immediately hunted it down. As soon as that first melody opened up, I prepared for an epic release of beats. Other than a bass drone, nothing came. Track two began, and again, no release.

While there is a ton of innovation within electronic dance music, the genre is pretty straightforward: a kick drum, hi-hats or handclaps, some low end, a melody. There are a lot of safe bets in this style of music, and GU mixes are among the safest. I was confused.

Turns out, I missed that parenthetical The Exclusive Originals. This is a 38-minute catalog of originals that Voorn used in the mixed set. His soundscapes are a bit new agey but they create a mood you can get lost in, whether you’re actively listening or letting the sound simmer in the background. This isn’t for everyone, especially if you’re looking for a tried-and-true GU mix, but there’s beauty in these tracks.

And for what it’s worth, Voorn’s GU#43 mix isn’t nearly as predictable as I expected. It’s closer to an old Orbital record than an old GU record, and it’s worth checking out.

Released: January 22, 2021

About Chuck

After spending 10 years working as a professional bassist, Chuck realized he loves listening to music much more than playing it. Eleven albums or events that dramatically influenced his relationship with music and life, in the order he encountered them: Fleetwood Mac, Rumours; Van Halen, Fair Warning; Foreigner, 4 tour, 2/9/1982; John Coltrane, Crescent; De La Soul, Three Feet High and Rising; Puccini, La Boheme (Beecham, de los Angeles); Everything But The Girl, Walking Wounded; Carl Cox, live at Twilo, 2000; Godspeed You! Black Emperor, Yanqui UXO; Grateful Dead, Ladies and Gentlemen, the Grateful Dead (Fillmore East, NYC, 1971); Taylor Swift, 1989.

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