Listening Journal – Sept. 19-25

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Kendrick Lamar – Mr. Morale and the Big Steppers: This album continues to unfold as I enter my second week of listening. “Worldwide Steppers,” “Crown,” and “Auntie Diaries” jumped out this week. As usual, Kendrick challenges us to think about hard things: good and bad, innocent and criminal, dark and light. Also, I love the way he included his longtime partner, Whitney Alford, throughout the record.

Tim Hecker – Dropped Pianos: One of my favorite Tim Hecker records, though in fairness, I’d have a hard time naming any of his albums that don’t make that list.

The Joy Formidable – Wolf’s Law: I saw this in my pile of records and decided to jump back in, and I’m so glad I did. The energy and excitement remind me why I fell in love with rock music.

Richie Weeks – The Love Magician Archives – Disco – New York City – 1978-79. Vol.1: Bob turned me on to this one through the description of the album and a great article in the Times. This is disco at its finest: funky, soulful, and joyous.

Lou Rhodes – One Good Thing: Last year, I wrote a fairly glowing review of Rhodes’ first solo album, yet I’ve never felt compelled to play it again. I love Rhodes’ voice but I don’t hear anything on this record to distinguish it from a hundred other women who make guitar-based indie folk music. The mood reminds me of Lori Carson, but without the depth or beauty that Carson bakes into her writing and arrangements.

Lori Carson – Stars and Everything I Touch Runs Wild: In the wake of listening to One Good Thing, I dug up a couple of Carson’s records to see if they are as deep and beautiful as I remember. Yes. Yes they are. I don’t love all the songs (and there are a few I don’t like at all), but this is a great example of how someone who writes simple songs can still push boundaries.

Floating Points, Pharoah Sanders, & The London Symphony Orchestra – Promises / Pharoah Sanders – Karma: Rest in peace, Mr. Sanders.

Pink Floyd – Wish You Were Here: One nice thing about a library of music—regardless of whether it’s a shelf of records or a favorites list on Spotify—is sometimes you look through it and something catches your eye that is perfect for the moment.

Tom Waits – Alice and Mule Variations: Cleaning again, and these were in the background. I don’t know Alice well so I’m adding it to my long list of records that deserve a focused listen. Mule Variations is an old friend, even if it’s not one of my favorites, so it made for a good soundtrack to cleaning.

Old 97s – Fight Songs: I read that Rhett Miller earned a creative writing scholarship to a pretty serious university back in the day. I’ve become a sucker for story songs so it’s time to revisit this band that I’ve mostly ignored for their near 30-year run. The jury’s still out, but I enjoyed my first pass through Fight Songs.

About Chuck

After spending 10 years working as a professional bassist, Chuck realized he loves listening to music much more than playing it. Eleven albums or events that dramatically influenced his relationship with music and life, in the order he encountered them: Fleetwood Mac, Rumours; Van Halen, Fair Warning; Foreigner, 4 tour, 2/9/1982; John Coltrane, Crescent; De La Soul, Three Feet High and Rising; Puccini, La Boheme (Beecham, de los Angeles); Everything But The Girl, Walking Wounded; Carl Cox, live at Twilo, 2000; Godspeed You! Black Emperor, Yanqui UXO; Grateful Dead, Ladies and Gentlemen, the Grateful Dead (Fillmore East, NYC, 1971); Taylor Swift, 1989.

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