Listening Journal: October 20 – 26

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Laufey – A Matter of Time: The more I listen to A Matter of Time, the more I find what I wanted—and didn’t get—from The Life of a Showgirl. A Matter of Time possesses a level of humility, vulnerability, and humanity that I just don’t hear on Showgirl. I didn’t expect to fall so hard for this record, but it’s been hosting parties in my mind.

Laufey – A Night at the Symphony: Hollywood Bowl | Bewitched | The Reykjavic Sessions: I decided to go to her concert in DC this week, which sealed my fate in the rabbit hole of Laufey’s music. The show was stellar, and when I think of the joyous sense of community that filled the room, the closest comparison I can find was seeing the Replacements in ’91. Probably not a comparison she gets every day, but she totally earned it.

The Orb – Buddhist Hipsters: The first two tracks, with their focus on hallucinations and aliens, feel like a nod to “Little Fluffy Clouds.” Nothing innovative or particularly exciting, simply artists staying true to the formula that made them successful 30+ years ago. But then they start to mess with that formula, and while I applaud their intentions, the results are awful. I got past the reggae/techno but “Arabebonics” actually made me embarrassed for them. That’s as far as I got before I switched to Fabric’s Pretty Girl mix with a sigh of relief.

Pulp – More: Jarvis Cocker and company tapped into everything that made their classic albums great and layered the past 25 years of life experience on top of it in a way that feels both familiar and fresh. This is the sound of a classic band aging gracefully. I encourage The Orb to pay attention.

Grateful Dead – 10/30/73 (St. Louis, MO): I expected to hear a transcendent “Dark Star” but I feel like I got a bunch of noodling. I’ll try again, but my first pass through the second set left me cold.

Old friends who made it into rotation this week: Pretty Girl: Fabric Presents Pretty Girl; Gracie Abrams: Good Riddance; Queen: A Night at the Opera; HAAi: Baby, We’re Ascending

About Chuck

After spending 10 years working as a professional bassist, Chuck realized he loves listening to music much more than playing it. Eleven albums or events that dramatically influenced his relationship with music and life, in the order he encountered them: Fleetwood Mac, Rumours; Van Halen, Fair Warning; Foreigner, 4 tour, 2/9/1982; John Coltrane, Crescent; De La Soul, Three Feet High and Rising; Puccini, La Boheme (Beecham, de los Angeles); Everything But The Girl, Walking Wounded; Carl Cox, live at Twilo, 2000; Godspeed You! Black Emperor, Yanqui UXO; Grateful Dead, Ladies and Gentlemen, the Grateful Dead (Fillmore East, NYC, 1971); Taylor Swift, 1989.

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