Label: self-released (only available at shows) Released: 2007 Seven Singles seethes with insanity. It reaches the outer limits of craziness without completely losing control. As such, it isn’t for everyone, but if you can get past poor production and near chaos, there’s something here in which to lose yourself. The drums are so loose that they’re all over the place…. Read more »
Label: Deep Elm Records Released: December 10, 2007 Ride Your Own Bike’s debut, Bad News from the Bar, gets off on the right foot with “We All Have Our Own Shoes,” whose strings slowly give way, but never completely, to a more traditional rock arrangement. After that, the creativity is pretty hit or miss though. For every clever or catchy… Read more »
Label: Woodstock Musicworks Released: November 1, 2007 A Million Yesterdays‘s brand of Americana generally alternates between country and country rock, finding the most consistency with the former, but perhaps their best moments with the latter. Their more traditional songs show clear command of the genre. Avalon Peacock’s voice might get a little shaky in her vibrato, but that along with… Read more »
Label: self-released Released: 2007 Dirty Penny’s clear love of Mötley Crüe might be hard to take had the Crüe not stopped making good records way too early (two records, good as they were, is a short legacy), but under the circumstances, it turns out to be a lot of fun. I’m not exactly the world’s biggest hair metal fan. Sure… Read more »
Label: Hot City Records Released: 2007 As their name implies, Crash Street Kids are big fans of Mott the Hoople. Even without that reference though, it would still be pretty clear. Their ability mix sugary pop with hard rock edge also raises the specter of early Sweet, but some of those guitar lines are unmistakable homages to Mick Ralphs. Throw… Read more »
Label: self-released Released: March 4, 2008 The opening track of There’s Nothing Safe sounds like a cross between 80s synth pop and the Runaways. Over the course of the album, they throw in alt rock, new wave and post-punk. It may sound like a pretty bland stew that they’ve cooked up here, but they’ve largely taken the strengths of these… Read more »
Label: Deep Elm Records Released: February 18, 2008 At this point, emo is pretty played out, so even the genre’s best bands struggle to be interesting. Desoto Jones is certainly among emo’s best, but the real question is, do they transcend its confines. Oddly enough, emo has become a genre more concerned with technical skill than emotional release and Aurora… Read more »
Label: Lujo Records Released: February 12, 2008 For this review, Chuck and I decided to collaborate. We both queued up the album at the same time and had a conversation about our thoughts. It came out more as the anatomy of a review, but the result was at least interesting. We’ll be trying this again (maybe every other week) to… Read more »
Label: Flight Plan/Reignition Records Released: September 25, 2007 Zolof the Rock and Roll Destroyer is yet another power-pop band among what seems like an endless stream coming out these days. So, what sets this female-fronted hook-fest apart from the others? For one thing, energy. In a genre that seems to go through the motions, Zolof is engaged in what they’re… Read more »
Label: 1-2-3-4 Go! Records Released: July 3, 2007 Steve E Nix and the Cute Lepers serve up a fun little slab of old-school punk and new wave on this EP. “Terminal Boredom” is ’77-style punk rock that borrows heavily from the Clash and Ramones, while “Prove It” could almost be a outtake from Elvis Costello’s “Armed Forces.” If you’re gonna… Read more »