Label: Voice Music Released: 2007 The 70s seem to be a bottomless well of influence, particularly in the realm of hard rock and metal. Cavalar don’t break any barriers on As a Metal of Fact, but they do a good job rehashing a slightly different past. Twitch nails his take on Ozzy, but unlike so many bands, the primary influence… Read more »
Label: self-released (only available at shows) Released: 2007 Seven Singles seethes with insanity. It reaches the outer limits of craziness without completely losing control. As such, it isn’t for everyone, but if you can get past poor production and near chaos, there’s something here in which to lose yourself. The drums are so loose that they’re all over the place…. Read more »
Label: Lost Highway Released: April 1, 2008 Van Morrison has done some of his best work over the last decade or so. The old curmudgeon has shown that he still knows how to put his entire soul into song, whether he’s making an album that concentrates on folk or soul or even skiffle. That makes Keep It Simple kind of… Read more »
Label: Padre Records (available through CDBaby.com) Released: March 1, 2007 Caleb Klauder’s band Foghorn Stringband is instantly contagious. Its authentic bluegrass instantly wraps you in its warm, genuine strings and heartfelt twang. Klauder’s Dangerous Me’s and Poisonous You’s, on the other hand, takes some time to sink in, not because it isn’t as good, but because it has more dimension… Read more »
Label: Time Bomb Recordings Released: June 26, 2007 I’m not usually that big on greatest hits collections unless they’re from a singles-only pop band where there is no real context on the regular albums anyway. Every now and then though, a collection can tell you something that the individual albums didn’t. Such is the case with Social Distortion’s Greatest Hits…. Read more »
Label: EMI America Released: April 15, 2008 I was never quite sure if Asia was actually all that good. They were one of the first bands that I got really into once I got over Kiss. On one hand, they seem an awful lot like an AOR band. On the other hand, it’s three prog giants along with the a… Read more »
Label: Tooth & Nail Records Released: February 5, 2008 There Came a Lion is an entirely listenable album, but it is almost completely indiscernible from hundreds of other emo records. Sure, it’s well played and the songs are nearly perfect fits for the formula, but Ivoryline is really just a modern Foreigner, flawlessly executing the script and doing nothing to… Read more »
Label: self-released Released: 2007 These kids can play. There’s no doubt about that. They’re outstanding technicians and, at their age (all 18 and 19 years old), almost unparalleled. Beyond the technical though, they really struggle. Their sound eases its layers back and forth between airy and heavy, but neither conveys anything meaningful other than that they’ve practiced. Hints of life… Read more »
Label: Parks and Records Released: January 2008 I’ve seen Carcrashlander compared to Randy Newman and I can’t stand Randy Newman. After listening to the debut album (and first release by green-focused Parks and Records), one of two things must be true: Either the Randy Newman comparison is inaccurate or I need to reconsider my feelings about him. Or perhaps there… Read more »
Label: Geffen Records Released: March 18, 2008 A New Found Glory has always been a bit long on sappiness and short on edge, but when I bought Nothing Gold Can Stay, an album whose title is probably more a reference to S.E. Hinton than Robert Frost, it connected with me. It was an album that was geared toward kids 10… Read more »