Category Archives: -> ratings

Review: Hackman – The New Normal

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Label: Small Stone Records Released: May 29, 2007 The heavy sludge that is the principle ingredient in Hackman’s sound isn’t necessarily a hot commodity these days. In order to stand out, bands have to incorporate more than just a love for Black Sabbath and Hackman does just that. The album starts off slow and heavy, but doesn’t stay that way…. Read more »

Review: Steve E. Nix and the Cute Lepers – Terminal Boredom b/w Prove It

Label: 1-2-3-4 Go! Records Released: July 3, 2007 Steve E Nix and the Cute Lepers serve up a fun little slab of old-school punk and new wave on this EP. “Terminal Boredom” is ’77-style punk rock that borrows heavily from the Clash and Ramones, while “Prove It” could almost be a outtake from Elvis Costello’s “Armed Forces.” If you’re gonna… Read more »

Review: Woody Guthrie and Lead Belly – Folkways: The Original Vision

Label: Smithsonian Folkways Released: April 25, 2005 It’s interesting how sometimes, two completely different artists can embody the greatest facets of an entire style of music. For example, take a look at The Beatles and The Rolling Stones; one is the hopeful and adventurous warmth of daylight, while the other is the nihilistic swagger of darkness. And while rock fans… Read more »

Review: Avett Brothers – Emotionalism

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Label: Ramseur Records Released: March 15, 2007 Americana’s return to the distant roots of rock music can be both a strength and a limitation. The genre often taps into the stripped down honesty of early music, but is also limited in its influences. The Avett Brothers, however, capture the genre’s strengths without being held to its limitations. The band, Scott… Read more »

Review: Steel Train – Trampoline

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Label: Drive-Thru Records Released: October 16, 2007 Trampoline is aptly titled, because the album has a lot of bounce and not the teeny-bopper kind of bounce either. This bounce is the combined force of Steel Train’s energy and elasticity. The band’s biggest influence is perhaps the Beatles (and who would complain?) and they draw on everything from early jangly pop… Read more »

Review: Bad Habit – demo

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Label: self-released Released: Like many great punk records, this one’s almost over before it starts. While this isn’t quite great, it does cover all the hardcore bases: fast, loud, aggressive. The four song demo clocks in at just 5:39, but it lets up very little over that time. Bad Habit draws a lot from Minor Threat with just a slightly… Read more »

Review: Classic African American Gospel from Smithsonian Folkways

Label: Smithsonian Folkways Released: January 29, 2008 I attended a memorial service for a coworker’s husband a few years ago. The chapel was small, and the service was filled with speeches and laughter and the occasional gut-wrenching sob from the front of the room. It was touching, but as someone who didn’t know the dead man, it was relatively mundane…. Read more »

Review: Lead Belly Sings for Children

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Label: Smithsonian Folkways Released: March 23, 1999 Lead Belly is widely considered one of the greatest influences on modern American music, yet I know few who actually listen to him. That doesn’t diminish his influence, but it does call into question whether he is directly relevant today or a generation or two removed. The follow-up question would then be, if… Read more »

Review: Gypsy Pistoleros – Para Siempre

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Label: Bad Reputation Released: January 15, 2008 For those not familiar with the Gypsy Pistoleros, they play sleazy, gritty glam with a touch of Latin flair (although not quite as prevalent as they sell it, it certainly amounts to a lot more than just some Spanish lyrics). Unlike the many bands from the hair metal heyday of the 80s that… Read more »

Review: Juno Soundtrack

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Label: Rhino Released: January 8, 2008 When I first saw Kimya Dawson several years ago opening for They Might Be Giants, there was nothing that made me think that her music would eventually be the soundtrack to a successful movie. Don’t get me wrong, I liked her…a lot. She can’t sing, she can’t play, her songs are simple, yet she… Read more »