Released: February 5, 2021 Usually, it’s a good thing when a group tries to move beyond the strict confines of their sound. Without that impetus, we’d have no Sgt. Peppers, no Heroes, no Achtung Baby. It’s the boldness that moves the art of making music forward. That being said, it is not something to undertaken lightly or carelessly. The artist… Read more »
Released: Juneteenth 2020 Untitled (Black Is) opens with a gospel chant of revolution that rises to a fever pitch similar to how calls for racial justice rose to a fever pitch in the days leading up to its release on Juneteenth 2020. Then it does something interesting. The chant fades away to gentle chords and warm ambience and a reassuring… Read more »
At first, Unfiltered seems like another nostalgic throwback to jazz of the ‘50s and ‘60s, an imitation of the greats at their greatest. Soon, however, it becomes clear that Sorey and his sextet aren’t imitating the greats, but instead are channeling their energy. Imitation is easy: you practice, you learn a style, you steal it. Channeling energy, however, is much… Read more »
Released: February 5, 2021 We all know covers are a tricky business. So many fall into one of two categories: Too little of the covering artist or too little of the covered artist. Jim Bob’s short collection of covers somehow manages to do both at once. There are some great punk and new wave tunes here, but too often they… Read more »
Released: December 15, 2020 Before calling it quits, Mystic Inane released this four track EP in late 2020. It’s basically just early 80s American punk (think pre-metal Black Flag and Circle Jerks or JFA) that leans to the somewhat angular side à la the Minutemen. Yes, it’s been done before, ad nauseum even, but there is something to be said… Read more »
Label: Secret City Records Released: November 6, 2015 Black Matter is an overall haunting affair, but one that rises slowly from its darkness. The dirgey, ambient tones strain slightly against quiet, tribal drums in “Asleep in the Water” while electronic sequencing drifts beneath the ringing dissonance of the title track. The darkness lifts ever so slightly as the album progresses… Read more »
Label: Equal Vision Released: September 25, 2015 Just when I thought I had the review for this EP done, I woke up with one of their songs in my head (“Pit of My Stomach”). To be honest, I don’t necessarily think that it’s a good thing, because sometimes you also get some songs that you didn’t like stuck all day… Read more »
Label: Topshelf Records Released: June 9, 2015 Listening to Ratboys’ AOID takes me back to the early 80s Paisley Underground sound of jangle and fuzz (both early Bangles and Long Ryders come to mind). Sure the opener is a short anti-folk ditty, but the album quickly finds its 60s/80s stride. It is simply wonderful to enjoy these hooks amidst the… Read more »
Label: One Percent Press Released: November 6, 2015 why+the+wires’ self-described genre is “PunkRockWaltzStompShout.” In a way, any attempt to review this album beyond the concise clarity of that self-examination is pointless. But I’ll give it a shot nonetheless. Flame Failures is a wild and loose affair right out of the gate with two tracks soaring loud and free with perhaps… Read more »
Label: Silber Records Released: September 2015 Hiroshi Sugimoto took a lot of blurry photographs. Some are hauntingly beautiful and others just evade my understanding. It’s hard to say that the latter fails, so much as it seems that I have failed. So it is with Yellow6’s “photographs” as well. The stated goal of No Memories, Just Photographs is to express… Read more »